![]() Your new file should show up as part of your CC Library, and you can drag-and-drop it into your document to see it in all of its vector glory. Once you’ve saved your file, jump over into Illustrator and check out the result. The user interface is remarkably simple and consistent throughout each facet of the application. That’s one of my favorite parts of Capture. Tapping Next again will take you to the screen where you’ll save your new vector shape just like you did your Color Theme from before. This part is really fun to watch, so make sure you keep your eyes on the screen to see how Capture quickly converts those pixels to nice, smooth paths. When you’re happy with the result, tap on Next at the top right of the screen.įrom there Capture will build a vector file for you. You can also use a two-finger pinch to zoom in on small details here, which is a good idea for complex artwork. Tap “Keep in Shape” or “Remove from Shape” to add or subtract pieces from your file. Now you’re in refinement mode, which allows you to add or subtract little pieces of noise from your file to get exactly the amount of detail you want. When you’re happy with the result, tap the capture button at the bottom. This will increase the amount of pixel information that Adobe Capture picks up to include in the vector file it creates. If you want to include more detail from the image, drag the fidelity slider at the bottom of the screen to the right. Once you locate the image you want, just tap on it, and Capture will automatically begin the shape building process. This isn’t ideal for our project, so we’ll need to go into our camera roll to find the client’s logo. Once we create our project, Capture will again default to using the camera to generate your new shape. First we’ll start by creating a new project in Adobe Capture. Let’s take a look at how Shape does its vector magic. Well, thanks to Adobe Capture CC, that workflow just got a whole lot better and faster! Before Adobe Shape CC came along, this meant we had to scan the logo in, clean up the scan in Photoshop, and then begin the painstaking task of either using the Image Trace panel in Illustrator, or redrawing the entire logo using the Pen tool. If you work with clients, you’ve undoubtedly encountered the dreaded scenario wherein your client gives you a low-resolution copy of a logo that they expect you to use in an actual print-ready project. Here’s a screenshot from Adobe Illustrator CC 2015, showing off my newly created theme, NYC Day. This will then convert your theme into an Adobe Color Theme, which can then be saved, synced, and used in any Adobe CC desktop or mobile app that supports CC libraries. This will allow you to select a color area with pinpoint accuracy.Īfter you’ve positioned your color markers, tap the capture button at the bottom of the screen. ![]() If you want to focus on a single color, tap and hold that circle to activate the loop. Try dragging the circles around to display new colors from the scene you captured. Once you’ve chosen a photo from your camera roll, the real fun begins! All of the circles that Adobe Capture displays onto your images are able to be moved and focused on whatever you want them to be. While this is a great feature, I usually don’t have time to sit in a busy street and create a theme, so I rely on my camera roll to do the heavy lifting for me. Whatever you’re looking at will then start to be converted into a color theme. When you first launch Capture CC and choose the Color section, you’ll be taken to this screen which will activate your camera. Afterwards I use Adobe Capture to turn those photos into usable color themes for the project I’m working on. As I’m walking, I’ll snap a few photos of whatever I find to document the feeling that I had when I saw it. ![]() Oftentimes when I’m researching a project, I’ll go out into the city or even my back yard and simply look for scenes and colors that inspire me. In this article I’ll give you a brief rundown of how I’m using Capture in my current workflow, and I’ll also show you some tips and tricks to get the most out of app itself. ![]() While most of the fanfare went to apps like Adobe Photoshop Fix and Mix, one of the most impressive apps, to me at least, is Adobe Capture CC.Ĭapture CC combines four of Adobe’s previous mobile applications: Color, Shapes, Brush, and Hue, into one single, easy-to-use application that I thoroughly enjoy using. Earlier this year Adobe revamped its lineup of mobile tools for creative professionals.
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